Friday, November 22, 2024

Gilbert J. Garraghan on Authentic/Genuine Sources

  

¶ 159 When we say that a source is authentic or genuine, we mean that it has the origin which it pretends to have, that it has for its author the person under whose name it appears and to whom it is commonly the person whose name it appears and to whom it is commonly ascribed. If it be anonymous, it is at least the work of some unknown author of the period to which it is generally assigned. Hence, criticism of the authenticity of a source has for its object to determine whether or not the reputed origin of the document is the realm origin. If the reputed origin is the real origin, the source is genuine, or authentic; otherwise, the source is spurious, or false (apocryphal, counterfeit, positious). Sources, the authenticity of which is vouched for on probable grounds only, may be described as doubtful.

 

 

The Genuine and the False: Forgery

 

(a) The term authenticity is too often used to express two ideas: genuineness and credibility. The usage is deplorable, for it is misleading. Here authenticity will be employed to express solely the idea of genuineness, no account at all being taken of the question whether the source is trustworthy or not; such question has place only in the specific problem of credibility. While it may be conceded that a spurious source is also, as a rule, untrustworthy, the fact remains that the truth or falsity of the content of a source is no decisive criterion for determining its authenticity; a demonstrably spurious source can still be reliable throughout. A, writing from firsthand information on current events, may turn out an accurate and trushworthy account of them, though the account may go before the public under the name of B, with a view to securing greater authority for it. B is generally but mistakenly credited with having written the book, which thereby must be described as not authentic but spurious, inasmuch as the reputed author is not the real author.

 

(b) The assignment of a source to the wrong author may be due to conscious fraud or unconscious error. In either case the falsification may be complete or partial, according as it extends to the entire source or only to a part of it. Partial falsification takes such forms as outright fabrication of one or more passages, serious garbling of a genuine passage, omission of parts of the original text. Omissions are not always to be referred to an intention to deceive. Conscientious copyists of manuscripts have often been puzzled by illegible words, especially proper names and foreign terms, with resulting omission. Had these copyists been conversant with the modern practice, they would have noted the omission in their transcripts by some conventional device or symbol. (Gilbert J. Garraghan, A Guide to Historical Method, ed. Jean Delanglez [New York: Fordham University Press, 1946], 169-70)

 

 

 

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