Tuesday, February 15, 2022

John R. Levison on the Pardoning of Adam's sin in the Heavenly Sanctuary in the Apocalypse of Moses

  

The first scene in the pardoning takes place in the heavenly sanctuary. The incense symbolizes the offering of prayers, incense fills the heavens as do the many prayers of the angels. The scene ends with the words, ‘Holy Jael, forgive, for he is your image and the work of your (holy) hands’ (33). The next scene, according to MS. A, contains a description of the two mysteries who are pleading on behalf of Adam (34).

 

In the next scene the intercession of the angels is the predominant activity (35-36). Eve sees the seven heavens opened, Adam on his face, ‘and all the holy angels are with him praying for him . . . ‘ When Eve sees two ‘dark-skinned persons assisting at the prayer for your father’, Seth explains that they are the moon and sun which ‘fall down and pray for my father Adam’.

 

The intercession is successful: Seth is interrupted by trumpets and an angelic cry, ‘Blessed be the glory of the LORD over his works; he has had mercy on Adam, the work of his hands’ (37). After Adam is purified in the Lake of Acheron, Michael brings him to the third heaven until the great and fearful day which God will establish for the world. Therefore, although Adam faced death with uncertainty, he receives mercy now as the result of angelic intercession. (John R. Levison, Portraits of Adam in Early Judaism: From Sirach to 2 Baruch [Journal for the Study of the Pseudepigrapha Supplement Series 1; Sheffield: JSOT Press, 1988], 171-72, emphasis added)

 

Other indications that this takes place in the heavenly sanctuary include: the ascension of Adam’s spirit (32), Michael’s command that Eve take her eyes off earthly things and place them on heavenly ones (32), the fact that the smoke fills the heavens and not a room (33), and Eve’s command to Seth to see the seven heavens opened (35). The presence of the Seraphim, the golden censers and three golden bowls, the chariot (which items elsewhere the ApMos are associated with the Cherubim [22, 38]), the holy throne (37), the altar (of incense), and incense are indications that this scene takes place in the holy of holies. (Ibid., 231 n. 12)

 

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