Thursday, October 24, 2024

Grant Macaskill on the Believer's Return to Original/Prelapsarian Glory in Early Jewish Literature

  

Original (Prelapsarian) Glory

 

The glorification of human beings in the early Jewish literature has often been read in relation to the putative original glory of the first humans. In New Testament scholarship, principally in relation to the Pauline letters, both the glory of Christ and the glory of believers have been presented as “Adamic” (see Macaskill 2013a, 128– 44). Such claims reflect the programmatic significance that the figure of Adam seems to have at points in Paul’s writing, with this frequently related to a range of texts associated with Early Judaism that represent the first humans as glorious (although it should be noted that attention is usually focused on Adam, with Eve somewhat neglected). There are some references to this in the Dead Sea Scrolls, notably in 4Q504, fragment 8, where Adam is made “in the image of [your] glory” and in the Community Rule, where the promise of glorification is made to those God has chosen for an eternal covenant, to whom “will belong all of the glory of Adam/ humanity” (qōl qavōd adam, 1QS IV 23). There are also traditions in the pseudepigrapha and rabbinic writings that represent the prelapsarian Adam variously as numinous (Genesis Rabbah 20:12), huge (b.Ḥagigah 12a), and garbed in glorious robes (Apocalypse of Moses 20:2), with these qualities linked to the human status as the image of God (see further Anderson 2001, 124– 34).

 

My own sense is that we need to be careful in how we invoke Adamic material in relation to Early Judaism. We should be careful not to read the significance of Adam in later Christian accounts of fall and salvation back into the early Jewish texts, including those that we have noted from Qumran. As we have already seen, other human figures embody divine glory in the early Jewish literature and the glory traditions associated with Adam may simply be particular iterations of a more widespread trope of the human embodiment of divine glory. If we admit some evidence from the targums, which are later but probably preserve some old traditions, we find these other glorified figures sometimes designated as eikōns of God (as with Jacob in Targum Ps- Jonathan Gen. 28:12). Adam is just one image of God and the significance of the others is not derived from Adam, but from God.

 

The significance of this is developed further if we acknowledge that the Eden stories are often (though not always) read paradigmatically rather than etiologically within Judaism. Rather than describing the etiology of original sin, they can describe the paradigm of sin’s operation and its inglorious consequences. Read paradigmatically, the stories are remarkably elastic, bending to the particular interests of the authors. One fragment of 4QInstruction (4Q423 fragment 2, lines 2– 3) describes the “thorns and thistles” that will grow whenever one acts in disobedience to the raz niyheh, “mystery of existence,” revealed to the reader (see Macaskill 2007). By this mystery, the reader has been “sanctified,” but they must be careful not to glorify themselves more than God and thus become cursed again (lines 6– 7). For his part, Philo maps each of the elements within it onto universal (though also gendered) human experience. Thus, the serpent is described as more cunning than other beasts, “on account of the natural proneness of mankind to vice, of which he is the symbol.” Both here and in his On the Creation of the World (esp. 69– 72), he places the human likeness of God within a framework of corruptibility and incorruptibility, the former associated with the inglorious earth and the latter with glorious divine being, particularly identified with reason and the mind. Human glorification, then, is particularly associated with virtue, with the ordering of the self and its passions by divine reason, and thereby participating in God’s perfections and immortality.

 

In these indisputably Jewish texts, then, the Eden story is used figurally rather than etiologically, although the figuration at work is quite different in each. The principal significance of this is that glory is not definitively associated with Adam and Eve, such that human glorification is essentially “Adamic” and other examples are understood to evoke the first couple (or the first man, since Eve is often neglected). Rather, glory is properly divine and heavenly, experienced by all who participate in these realities; Adam figurally exemplifies both glory and its loss, but as one among many who do so. The neglect of such figuration in many modern readings, I suspect, reflects the loss of figural categories for modern interpreters and the dominance of certain models of salvation- history.

 

We also need to acknowledge the uncertain provenance of many pseudepigraphical works that are cited in support of Adamic glory and to recognize that they may reflect later developments in thought. There is an extensive body of pseudepigraphical literature that is particularly devoted to fresh retellings of the Garden story and the narratives that follow it (Stone 1992). The provenance of these texts is a matter of debate, however, and even if they preserve some originally early Jewish content, this is entangled with Christian theological traditions which became increasingly interested in the figures of Adam, Eve, and Satan during the early centuries of the Common Era. The Adam and Eve literature became immensely popular during this period, transmitted in a range of languages and exhibiting energetic growth and development as functionally Christian writing.

 

This does not mean that the Adam and Eve works, and parallels to them in other pseudepigrapha of debated origin (such as 2 Enoch), should be kept out of our discussion of deification, but these need to be treated carefully and read in the light of the material we know unquestionably to be Jewish, such as the Scrolls and Philo. (Grant Macaskill, “The ‘Non-Biblical’ Writings of Early Judaism,” in The Oxford Handbook of Deification, ed. Paul L. Gravrilyuk, Andrew Hofer, and Matthew Levering; Oxford: Oxford University Press, 2024], 53-54)

 

 

 

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